{"id":73,"date":"2015-02-11T18:19:58","date_gmt":"2015-02-11T18:19:58","guid":{"rendered":"http:\/\/rainer-rubbert.de\/wordpress\/?page_id=73"},"modified":"2015-03-09T09:02:22","modified_gmt":"2015-03-09T09:02:22","slug":"works-english","status":"publish","type":"page","link":"https:\/\/rainer-rubbert.de\/wordpress\/werke\/works-english\/","title":{"rendered":"Works – English"},"content":{"rendered":"

\"T\"<\/a>\u00a0Text\u00a0\"A\"<\/a>\u00a0Audio \"V\"<\/a>\u00a0 Video \"P\"<\/a>\u00a0Score<\/p>\n

For better\u00a0search results\u00a0please press\u00a0ctrl.<\/strong><\/em>.+ F , <\/strong>the entered word will appear highlighted<\/em><\/p>\n

___________________________________________<\/p>\n

\u00c9clat cuivre <\/strong>f\u00fcr Blechbl\u00e4serquintett [in Arbeit] (2015)
\n(Auftrag der Pyramidale Berlin)
\nUA:<\/strong>\u00a0Juli 2015, Berlin
\nEnsemble Apparat
\n<\/em>___________________________________________<\/p>\n

Proclamazione <\/strong>f\u00fcr Violoncello und Orgel (2015) \u00a0\"\"<\/a>
\nUA:<\/strong> August 2015, Rom
\nEmilia Baranowska | Jean-Paul Imbert
\n<\/em>___________________________________________<\/p>\n

Essential<\/strong>\u00a0f\u00fcr Klavier 4-h\u00e4ndig\u00a0(2014) \"\"
\n<\/a><\/p>\n

UA:<\/strong>\u00a02015, Salerno
\n____________________________________________<\/p>\n

Fra Snowdens tid<\/strong> f\u00fcr pr\u00e4parierte Gitarre (2014)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. \u00a0\u00a0\"\"
\n<\/a><\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. Lentissimo, senza tempo \u00a0\u00a0\"\"
\n<\/a><\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. Adagio, rubato \u00a0\u00a0\"\"
\n<\/a><\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0IV. Grave \u00a0\u00a0\"\"
\nV. Vivo \u00a0\u00a0\"\"<\/em>
\n<\/em>(Auftrag des Norsk kulturr\u00e5d)
\nUA:<\/strong> 2014, Oslo
\nOle Martin Huser-Olsen‘
\n<\/em><\/em>____________________________________________<\/p>\n

Klaviertrio<\/strong> 2013 f\u00fcr Violine, Violoncello und Klavier\u00a0\"T\"<\/a>\u00a0\u00a0\"\"<\/a>
\n(Auftrag des Berlin-Trios)
\nUA:<\/strong> M\u00e4rz 2014, Berlin
\nChristiane Edinger | Llu\u00eds Claret | Klaus Hellwig
\n____________________________________________<\/em><\/p>\n

Das 1. Gebot<\/strong> f\u00fcr Tenor, Bariton, Violoncello und Orgel (2013) \u00a0\"T\"
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. Ich bin der Herr, dein Gott!<\/em> \u00a0\"A\"<\/a>\u00a0\u00a0\"\"
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. Denn so ist es Satzung…<\/em> \u00a0\u00a0\"\"<\/a>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. Aber mein Volk hat nicht auf meine Stimme geh\u00f6rt \u00a0\"A\"<\/a>\u00a0\u00a0<\/em>\"\"<\/a>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0IV. In der Drangsal…<\/em> \u00a0<\/em>\u00a0\"\"<\/a>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0V. Und Du sollst deinen Herrn….\"A\"<\/a><\/em>\u00a0\u00a0\"\"<\/a>
\n(Auftrag der Guardini-Stiftung)
\nUA:<\/strong> April 2013, Berlin
\nThaisen Rusch | Philipp Mayer | Marika Gerjot | Lothar Knappe
\n____________________________________________
\n<\/em><\/p>\n

Quatro can\u00e7\u00f5es baseadas em poemas de Fernando Pessoa<\/strong>
\nf\u00fcr Solo-Sopran [mit Megaphon, Conga und Triangel] (2013) \u00a0\u00a0\"T\"
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. O que chora \u00a0\u00a0\"\"
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. \u00daltima estrela a desaparecer \u00a0\u00a0\"\"
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. Creio\u00a0\u00a0<\/span>\"V\"\u00a0<\/a>\u00a0\"P\"<\/a>
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 IV. Quer pouco \u00a0\u00a0<\/span><\/em>\"V\"\u00a0\u00a0\"\"<\/em>
\n<\/a>UA:<\/strong> September 2013, S\u00e3o Paulo, Brasilien
\n<\/span>Katia Guedes
\n____________________________________________<\/em><\/p>\n

Choralbearbeitung „Ich steh an deiner Krippen hier“<\/strong> f\u00fcr Orgel (2013) \u00a0\"\"<\/a>
\nUA:<\/strong> Dezember 2013, Berlin
\nLothar Knappe
\n____________________________________________<\/em>\u00a0<\/em><\/p>\n

Bei Aldi brennt noch Licht<\/strong> f\u00fcr drei M\u00e4nnerstimmen [mit Megaphonen] (2012) \u00a0\"\"<\/a>
\nUA:<\/strong> September 2012, Pyramidale XI, Berlin
\n<\/span>Thorbj\u00f6rn Bj\u00f6rnsson | Philipp Mayer | Daniel Pannermeyr
\n____________________________________________<\/em>\u00a0<\/span><\/em><\/p>\n

Musique pour d\u00e9courager les rossignols<\/strong> f\u00fcr Altblockfl\u00f6te solo (2012) \"A\"<\/a>\u00a0\"\"
\n<\/a>(1. Preis beim Internationalen Kompositionswettbewerb „marenostrum“,
\nPremio Citt\u00e0 di Fossacesia 2012, Edizioni Scofinarte)
\nUA:<\/strong> September 2012, Fossacesia
\nGaby Bultmann
\n____________________________________________<\/em>
\n<\/em><\/p>\n

Essentials <\/strong>f\u00fcr 2 Akkordeons (2012) \u00a0\"T\"
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. rubato \u00a0\"A\"<\/a>\u00a0<\/em>\u00a0\"P\"<\/a>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. feroce\u00a0\u00a0\"P\"
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. lento\u00a0\u00a0<\/em>\"P\"<\/em>
\n<\/a>UA:<\/strong> Juli 2012, XX. RANDSPIELE Zepernick
\nChristine Pat\u00e9 | Franka Herwig
\n____________________________________________<\/em><\/em><\/p>\n

Toccata <\/strong>f\u00fcr Fl\u00f6te solo (2011\/12) \u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> Juni 2012, Berlin
\nCarin Levine
\n____________________________________________<\/em><\/em><\/p>\n

Shortcuts <\/strong>f\u00fcr Harfe solo (2011)\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> Juni 2012, Berlin
\nKatharina Hanstedt
\n____________________________________________<\/em>
\n<\/em><\/p>\n

Shortcuts II <\/strong>zu Songs der Popette Betancor (2011)
\nf\u00fcr 2 Violinen
\nMatthias Leupold
\n____________________________________________<\/em>
\n<\/em><\/p>\n

Shortcuts III <\/strong>f\u00fcr Heinrich und Henriette
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. Warum denke ich daran? \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. Was willst du noch!? \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. Was macht er denn da? \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0IV. Wie grausam… \u00a0\"P\"<\/a><\/em>
\nText: Tanja Langer
\nf\u00fcr Mezzosopran,Bariton und Klavier
\nUA:<\/strong> Mai 2011, Villa Elisabeth, Berlin
\nGesa Hoppe | Thorbj\u00f6rn Bj\u00f6rnsson | Martin Schneuing
\n____________________________________________<\/em>
\n<\/em><\/p>\n

Je ne vais pas te dire… <\/strong>f\u00fcr Bass und Klavier \u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> Februar 2014, Berlin
\nLudwig Obst | Martin Schneuing
\n____________________________________________<\/em>
\n<\/em><\/p>\n

Hilfe Rufe <\/strong>f\u00fcr Sopran\u00a0[mit Megaphon], Schlagzeug und Kontrabass (2010\/11)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. chinesisch \u00a0\"V\"<\/a>\u00a0\u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. T\u00fcrkisch\u00a0\"V\"<\/a>\u00a0\u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0IV. peul\/wolof \u00a0\"V\"<\/a>\u00a0\u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0V. deutsch \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0VI. Franz\u00f6sisch\u00a0\"P\"<\/a><\/em>
\nUA:<\/strong> Oktober 2011, Pyramidale X
\nKatia Guedes | Sabrina Ma | Matthias Bauer
\n____________________________________________<\/em><\/em><\/p>\n

Trois Adieux III <\/strong>f\u00fcr 2 Klaviere und 2 Schlagzeuger (2010) \u00a0\u00a0\"P\"<\/a><\/strong>
\n(Auftrag des Ensemble BerlinPercussion)
\nUA:<\/strong> Mai 2010, Berlin
\nEnsemble BerlinPercussion
\n____________________________________________<\/em><\/em><\/p>\n

La Pri\u00e8re sur l\u2019Enfant mort<\/strong> f\u00fcr Violoncello und Streichquartett (2009) \u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> Juni 2009, Berlin
\nEmilia Baranovska | HORS Quartett
\n____________________________________________<\/em>
\n<\/em><\/p>\n

Niki de Saint Phalle \u2013 F\u00fcrchterlich ist die Braut am Abend \u00a0\"T\"<\/a>\u00a0\u00a0\"P\"<\/a><\/strong>
\nf\u00fcr Mezzosopran und Klavier (2009)
\n(Text: Tanja Langer)
\nUA:<\/strong> 2010, Berlin
\nVerlag Ries & Erler
\n____________________________________________<\/em><\/em><\/p>\n

Frida Kahlo \u2013 Liebeslied an das Leben
\n<\/strong>f\u00fcr Mezzosopran\/Alt und Klavier (2009)\u00a0\"T\"<\/a>\u00a0\u00a0\"P\"<\/a><\/strong>
\n(Text: Tanja Langer)
\nUA:<\/strong> 2009, Berlin
\nVerlag Ries & Erler
\n____________________________________________<\/em><\/em><\/p>\n

…perch\u00e9 solo in una notte fonda brillano le stelle <\/strong>
\n<\/strong>Version f\u00fcr Harfe und Klavier\u00a0(2002\/2009) \u00a0\"P\"<\/a>
\nUA:<\/strong> Mai 2010, Brandenburg\/Havel
\nKatharina Hanstedt | El\u017cbieta Sternlicht
\n____________________________________________<\/em><\/em><\/p>\n

Camille Claudel \u2013 Einst war ich sch\u00f6n
\n<\/strong>Szene f\u00fcr Mezzosopran und Klavier (2008) \u00a0\"T\"<\/a>\u00a0\u00a0\"P\"<\/a><\/strong>
\n(Text: Tanja Langer)
\nUA:<\/strong> Nov. 2008, Berlin
\nClaudia Herr | Liana Narubina<\/em>
\nVerlag Ries & Erler
\n____________________________________________<\/em><\/em><\/p>\n

Extraits \u00a0<\/strong>(2008)
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/i>I. Toccata<\/strong> f\u00fcr Klarinette solo \u00a0\"A\"<\/a> \u00a0<\/em>\"P\"<\/a><\/strong>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/em>II. Elegie<\/strong> f\u00fcr Horn solo \u00a0\"P\"
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em>III. Capriccio <\/strong>f\u00fcr Fagott solo \u00a0<\/em>\"P\"<\/em>
\n<\/a>UA:<\/strong> Dezember 2008, N\u00fcrnberg
\nKlangKonzepteEnsemble
\n<\/em>____________________________________________<\/em><\/em>
\n<\/span><\/p>\n

relations<\/strong> (1986\/2008)
\nf\u00fcr Posaune und Schlagzeug
\n<\/span>UA:<\/strong> M\u00e4rz 2009, Berlin
\n<\/span>Florian Juncker
\n____________________________________________<\/em><\/em><\/span><\/p>\n

Kleist \u00a0Oper<\/strong> in 4 Akten (2006\/07)\u00a0\u00a0\"T\"<\/a><\/strong>
\nLibretto: Tanja Langer
\nkurzer Auschnitt: \u00a0\"V\"<\/a>\u00a0siehe auch \u2192 Oper<\/a>
\n(Auftrag des Brandenburger Theaters)
\nUA:<\/strong> M\u00e4rz 2008, Brandenburger Theater
\nVerlag Ries & Erler
\n____________________________________________<\/em><\/em><\/p>\n

Solo und Signal <\/strong>f\u00fcr Horn, Klavier und Schlagzeug (2005)
\nUA:<\/strong> Juni 2005, Berlin
\nNoam Yogev | Arno Waschk | Percussemble Berlin
\n____________________________________________<\/em>
\n<\/em><\/p>\n

…cette obscure clart\u00e9 qui tombe des \u00e9toiles (RWV 1088) <\/strong>f\u00fcr Klavier (2005) \u00a0\"V\"<\/a>\u00a0\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> Okt. 2005
\nEl\u017cbieta Sternlicht
\n____________________________________________<\/em><\/em><\/p>\n

W\u00fcste Fruchtbarkeit<\/strong> f\u00fcr Englisch Horn, Horn, Schlagzeug, Violoncello,
\nKontrabass, Klavier\u00a0und Solo-Violine (2005)\u00a0\"A\"<\/a>\u00a0\u00a0\"P\"<\/a>
\n(Auftrag der Klangwerkstatt Berlin)
\nUA:<\/strong> Nov. 2005
\n<\/span>Ensemble Junge Musik | Solo-Violine: Susanne Zapf
\n____________________________________________<\/em>
\n<\/span><\/em><\/p>\n

Cadenza \u2013 In Memoriam F.H.<\/strong> f\u00fcr Violine solo (2005)\u00a0\"P\"<\/a>\u00a0\u00a0\"T\"<\/a>\u00a0 \u00a0<\/strong>
\n(Auftrag der GEDOK Berlin)
\nUA:<\/strong> Dez. 2005
\nMarianne Boettcher
\n____________________________________________<\/em><\/span><\/em><\/p>\n

deadline <\/strong>f\u00fcr Alt-Saxophon in Es und Klavier (2004)\u00a0\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> 2005, Reutlingen
\nFrank Lunte | Tatjana Blome
\n____________________________________________<\/em><\/span>
\n<\/em><\/p>\n

Sisyphos<\/strong> f\u00fcr Saxophonquartett und Streichquartett (2004)\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> Okt. 2004, Pyramidale Berlin
\nSaxophonquartett clair – obscur
\n____________________________________________<\/em><\/span><\/em><\/p>\n

Lange Kerls <\/strong>f\u00fcr Kammerensemble (2003) \u00a0\u00a0\"P\"<\/a><\/strong>
\n(Auftrag der Akademie der K\u00fcnste)
\nUA:<\/strong> Februar 2003
\nKammerakademie Potsdam
\n____________________________________________<\/em><\/span>
\n<\/em><\/p>\n

Schlacht Rufe <\/strong>f\u00fcr Frauenstimme (Sopran) und Live-Elektronik (2003) \u00a0\"P\"<\/a><\/strong>
\n(Auftrag der Globus-Kl\u00e4nge)
\nUA:<\/strong> Jan. 2004, Fu\u00dffall-Globus Frankfurt\/Main
\nClaudia Herr
\n____________________________________________<\/em><\/span><\/em><\/p>\n

…perch\u00e9 solo in una notte fonda brillano le stelle <\/strong>f\u00fcr Harfe solo (2002) \u00a0\"T\"<\/a>\u00a0\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> Mai 2004, Rom
\nKatharina Hanstedt
\n____________________________________________<\/em><\/span>
\n<\/em><\/p>\n

Legno – campane <\/strong>f\u00fcr Marimba solo (mit Glocke) (2002)\u00a0\"T\"<\/a>\u00a0\u00a0\"P\"<\/a>\u00a0\u00a0\"V\"<\/a><\/strong>
\nUA:<\/strong> Dez. 2003, Kryptonale Berlin
\nClaudia Sgarbi
\n____________________________________________<\/em><\/span>
\n<\/em>
\nContraerea celeste<\/strong> f\u00fcr drei Fl\u00f6ten (2002)\u00a0\u00a0\"T\"<\/a>\u00a0\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> Nov. 2003, Aachen
\nTrio Soli Sono
\n____________________________________________<\/em><\/span>
\n<\/em><\/p>\n

Albicoccodrillo <\/strong>f\u00fcr zw\u00f6lf Saxophone \u00a0\"T\"<\/a>\u00a0\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> April 2003, Berlin
\nEnsemble Sax12
\n____________________________________________<\/em><\/span><\/em><\/p>\n

Gegenwelten<\/strong> f\u00fcr gro\u00dfes Orchester (2000) \u00a0\"A\"<\/a>\u00a0\u00a0\"P\"<\/a>
\n(Auftrag des gVe Erlangen)
\nUA:<\/strong> Januar 2001, Erlangen
\nErlanger Kammerorchester
\n____________________________________________<\/em><\/span>
\n<\/em><\/p>\n

Paris is burning<\/strong> f\u00fcr Tenorsaxophon und Live-Elektronik (2000)\u00a0\"A\"<\/a>\u00a0 \"P\"<\/a>
\nUA:<\/strong> Dezember 2001, Berlin
\nUlrich Krieger
\n____________________________________________<\/em><\/span><\/em><\/p>\n

Noces Danses<\/strong> f\u00fcr Fl\u00f6te und Klavier (1999)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 I. emotionslos | Altfl\u00f6te \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. manisch | Piccolo \u00a0\"A\"<\/a> \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. unterk\u00fchlt, sehr ruhig | Bassfl\u00f6te \u00a0\"A\"<\/a> \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0IV. zusammen | gro\u00dfe Fl\u00f6te \u00a0\"P\"<\/a><\/em>
\nUA:<\/strong> September 1999, Berlin
\nKlaus Sch\u00f6pp, | Yoriko Ikeya
\n____________________________________________<\/em><\/span>
\n<\/em><\/p>\n

Sieben Gedichte von Renate Halbach <\/strong>f\u00fcr sich selbst begleitende S\u00e4ngerin\u00a0(1999)\u00a0\"T\"<\/a><\/strong>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 I. Jeden Morgen \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. Wiederkehr<\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. Schiffsb\u00e4uche \u00a0\"V\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0IV. Gleitflug<\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0V. Nichts h\u00f6rt auf<\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0VI. Asche, Asche \u00a0\u00a0\"V\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0VII. Wie Schnee \u00a0\"V\"<\/a><\/em>
\nUA:<\/strong> April 2001, Berlin
\nStephanie Haas
\n____________________________________________<\/em><\/span><\/em><\/p>\n

\u00dc = \u00d8 <\/strong>f\u00fcr Altfl\u00f6te, Englisch Horn (Horn) und Harfe (1998)\u00a0\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> Juni 1999, Berlin
\nHanstedt-Trio
\n____________________________________________<\/em><\/span><\/em><\/p>\n

Philippe\u2019s gone,<\/strong> Duo f\u00fcr pr\u00e4parierte Gitarre und Violine (1997)\u00a0\"A\"<\/a>\u00a0\u00a0\"P\"<\/a>
\nUA:<\/strong> Oktober 1997, Berlin
\nMatthias Leupold | Il-Ryun Chung
\n____________________________________________<\/em><\/span><\/em><\/p>\n

Klavierst\u00fccke RWV 1087<\/strong>\u00a0(1996)\u00a0\"T\"<\/a><\/strong>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. calmo, liberamtente \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. Lento \"A\"<\/a>\u00a0\u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. \u00a0\"P\"<\/a><\/em>
\nUA: 1996, Berlin
\nEl\u017cbieta Sternlicht
\n____________________________________________<\/em><\/span>
\n<\/em>
\nSUBURBAN CHANTS
\n<\/strong>f\u00fcr Fl\u00f6te, Klarinette, Violine, Viola, Violoncello und Klavier(1996)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. Tagst\u00fcck \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. Nachtst\u00fcck \u00a0\"A\"<\/a> \u00a0\"P\"<\/a><\/em>
\n(Auftrag des \u201cModern Art Sextet\u201c)\u00b4
\nUA:<\/strong> November 1996, Schreyahn
\nModern Art Sextet
\n____________________________________________<\/em><\/span><\/em><\/p>\n

Magische Duette<\/strong> f\u00fcr zwei Instrumente\/Stimmen und obligates Klavier (1995) \u00a0\"T\"<\/a><\/strong>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. Alla breve \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. Adagio \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. Largo, con tristezza \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0IV. Isterico \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0V. Molto lento \u00a0<\/em>\"P\"<\/em>
\n<\/a>(Edition Nova Vita)
\nUA:<\/strong> M\u00e4rz 1995, Marseille
\nVioline: Mary Oliver | Saxophon: Ulrich Krieger | Klavier:Reinhold Friedl
\n____________________________________________<\/em><\/span>
\n<\/em><\/p>\n

Ein \u00e4gyptisches Marienleben<\/strong> f\u00fcr Sopran, Alt, Tenor, Bass und Cembalo (1995) \u00a0\"P\"<\/a><\/strong>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 I. Mariae Vorleben\u00a0\"A\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 II. Mariae Klage<\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 III. Mariae Tod und<\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 IV. Mariae Verkl\u00e4rung<\/em>
\n<\/span>(Auftrag des Podewil Berlin)
\nUA:<\/strong> Oktober 2004, Berlin
\n<\/span>Hanna Dora Sturludottir | Sabine Neumann | Eloi Prat I Morgades | Jens Bauditz |Martin Schneuing
\n____________________________________________<\/em>
\n<\/span><\/em><\/p>\n

Bewegungen II <\/strong>f\u00fcr Orchester (1995)\u00a0\u00a0\"P\"<\/a><\/strong>
\n(Auftrag des Freien Kammerochesters Berlin)
\nUA: <\/strong>November 1995, Berlin
\nFreies Kammerorchester Berlin | Leitung.: Christoph Hagel
\n____________________________________________<\/em><\/span><\/em><\/p>\n

Inside Distortion <\/strong>f\u00fcr Inside-Piano (1995) \u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> 1996, Berlin
\nReinhold Friedl
\n____________________________________________<\/em><\/span>
\n<\/em><\/p>\n

URBAN MUSIC III <\/strong>f\u00fcr Rockband (1994) \u00a0\u00a0\u00a0\"P\"<\/a><\/strong>
\n(Auftrag der Akademie der K\u00fcnste)
\nUA:<\/strong> April 1994, Berlin (X 94)
\n____________________________________________<\/em><\/span><\/em><\/p>\n

URBAN MUSIC<\/strong> f\u00fcr verst\u00e4rktes Saxophonquartett (1993) \u00a0\"T\"<\/a>\u00a0\u00a0\"P\"<\/a>
\n(Auftrag des Berliner Saxophon Quartetts)
\nUA:<\/strong> Oktober 1993, Berlin
\nBSQ
\n____________________________________________<\/em><\/span>
\n<\/em><\/p>\n

Vision (Urban Music II) <\/strong>f\u00fcr Bass-Saxophon solo (1993) \u00a0\u00a0\"P\"<\/a><\/strong>
\n(Verlag Neue Musik Berlin)
\nUA:<\/strong> Februar 1994, Paris
\nJohannes Ernst
\n____________________________________________<\/em><\/span><\/em><\/p>\n

obstacle 1087 <\/strong>f\u00fcr Violine, Alt-Saxophon in Es, Ba\u00dfklarinette und Klavier (1992) \u00a0\u00a0\"P\"<\/a><\/strong>
\n(Auftrag der \u201cTage Neuer Kammermusik Braunschweig\u00b3)
\nUA:<\/strong> November 1992, Braunschweig
\nVioline: Irene Wilhelmi
\n____________________________________________<\/em><\/span>
\n<\/em><\/p>\n

vocalise <\/strong>f\u00fcr Sopran (Alt-Saxophon in Es), Fl\u00f6te, Violoncello und Klavier (1992) \u00a0\u00a0\"P\"<\/a><\/strong>
\n(Auftrag des Berlin Improvising Composers Ensemble)
\nUA:<\/strong> Oktober 1992, Berlin
\nBICE
\n____________________________________________<\/em><\/span><\/em><\/p>\n

Oktett 522 91 – 16.1<\/strong> f\u00fcr Klarinette, Horn, Fagott und Streichquintett (1991)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. Toccata \u00a0<\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. Elegie<\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. Capriccio<\/em>
\nUA:<\/strong> Februar 1992, Salzburg
\nScharoun-Ensemble
\n____________________________________________<\/em><\/span><\/em><\/p>\n

Klavierquintett 1990<\/strong>\u00a0 \"A\"<\/a>\u00a0\u00a0\"P\"<\/a>
\nUA:<\/strong> Mai 1991, Berlin
\nUniversal Streichquartett | Sheila Vonk
\n____________________________________________
\n<\/em><\/p>\n

Kammerkonzert<\/strong>
\nf\u00fcr Saxophonquartett, zwei Streichquartette, Kontrabass und Klavier (1990) \u00a0\"P\"<\/a>
\n(Auftrag des Hebbel-Theaters Berlin)
\nUA:<\/strong> Dezember 1990, Br\u00fcssel
\nHet Orkest | Leitung: Vincent d\u2019Hondt
\n____________________________________________<\/em><\/p>\n

Concertino<\/strong> f\u00fcr Alt-Saxophon in Es, Klavier, Streicher und Schlagzeug \u00a0\u00a0<\/strong>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I.\u00a0Introduzione, calmo \"A\"<\/a>\u00a0\u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. Allegro \u00a0\u00a0\"P\"<\/a><\/em>
\n(International Rostrum of Composers, Paris, 1991)
\nUA:<\/strong> Oktober 1989, Berlin
\nSaxophon: Ulrich Krieger | Universal-Ensemble
\n____________________________________________<\/em><\/p>\n

dialogue <\/strong>f\u00fcr Violoncello solo (1988)\u00a0\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> M\u00e4rz 1988, Rio de Janeiro
\nPeter Schuback
\n____________________________________________<\/em><\/p>\n

r\u00e9ciprocit\u00e9<\/strong> f\u00fcr Violoncello und Kontrabass (1987)\u00a0\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> Oktober 1987, Paris
\nDuo Tedesco
\n____________________________________________
\n<\/em><\/p>\n

..des lignes raides fuient dans la nuit<\/strong> f\u00fcr Bl\u00e4serquintett (1987)\u00a0\"P\"<\/a>
\n(2. Preis \u201cBudapest International Composers Competition 1989)
\n(Editio Musica Budapest)
\nUA:<\/strong> M\u00e4rz 1989, Budapest
\nAkademie-Quintett
\n____________________________________________
\n<\/em><\/p>\n

Idyllen <\/strong>f\u00fcr Viola (Violine) und Violoncello \u00a0(1987)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 I. Calmo \u00a0\u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 II. Inquieto \u00a0\u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 III. Adagio espressivo \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 IV. Aggressivo \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 V. Molto lento \u00a0\"A\"<\/a> \u00a0\"P\"<\/a><\/em>
\n(Auftrag der Gruppe Neue Musik Berlin)
\nUA:<\/strong> Dezember 1987, W\u00fcrzburg,
\nClaude Lelong | Wolfgang Gr\u00f6ger
\n____________________________________________<\/em><\/p>\n

relations <\/strong>f\u00fcr Horn und Schlagzeug (1986)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 I. Feroce\u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 II. Calmo<\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 III.<\/em>
\n(Auftrag des Deutschen Schlagzeugsymposions N\u00fcrnberg 1986)
\nUA:<\/strong> Oktober 1986, N\u00fcrnberg
\nWilfried Kr\u00fcger | Roland Schmidt
\n____________________________________________<\/em><\/p>\n

Aus der Fremde<\/strong>, Kantate nach Gedichten von Franz Werfel (194\/86)\u00a0\u00a0\"T\"<\/a><\/strong>
\nf\u00fcr 4 Solostimmen, 4-9-stimmigen gem. Chor a cappella und Knabenchor (ad lib.) \u00a0\"P\"<\/a>
\n(Hauptpreis beim Internationalen Carl-von-Ossietzky-Kompositionswettbewerb Oldenburg 2007)
\n____________________________________________<\/em><\/p>\n

Galgenlieder <\/strong>nach Christian Morgenstern
\nf\u00fcr Sopran, Altsaxophon in Es (Klarinette), Fagott (Violoncello) und Klavier\u00a0(1983\/85)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a01. Gruselett<\/em> \u00a0\u00a0\"P\"<\/a><\/strong>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a02. Die Fingur \u00a0\"A\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a03. Das Mondschaf\u00a0\"A\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a04. Nein!<\/em>
\n(Auftrag des Deutschen Apothekertages 1985)
\nUA:<\/strong> 1985, Berlin
\nSopran: Miharu Dietz
\n____________________________________________<\/em><\/p>\n

Au\u00dfenposten<\/strong>, (Film-) Musik f\u00fcr Kammerorchester (1981\/83)\u00a0siehe auch -> Film<\/a>
\nUA:<\/strong> Juni 1984, Berlin
\nBrandenburgisches Kammerorchester
\n____________________________________________<\/em><\/p>\n

Streichquartett adagio \u2013 allegro<\/strong>\u00a0(1982)\u00a0 \u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> Februar 1988, Berlin
\nSilesian String Quartet
\n____________________________________________<\/em><\/p>\n

Fahrt,<\/strong> drei Lieder nach Gedichten von Sarah Kirsch
\nf\u00fcr Sopran, Violoncello, Harfe, Klavier und Schlagzeug (1981)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a01. Fahrt I \u00a0\u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a02. Der Schnee liegt schwarz in meiner Stadt<\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 3. Dann werden wir kein Feuer brauchen<\/em>
\n(Auftrag des Studio Neue Musik Berlin)
\nUA:<\/strong> Oktober 1983, Berlin
\nSopran: Regine Gebhard
\n____________________________________________<\/em><\/p>\n

Deutsches Kyrie und Credo<\/strong>
\nf\u00fcr 4 Trompeten, 4 Posaunen, gemischten Chor und Streicher (1980\/81)<\/p>\n

Tropus ad Gloria<\/strong>
\nf\u00fcr 2 Trompeten, Tenor solo, M\u00e4nnerchor, Klavier und Kontrabass\u00a0(1980\/81)\u00a0\u00a0\"P\"<\/a><\/strong>
\n____________________________________________<\/em><\/p>\n

Ballade<\/strong> f\u00fcr Kontrabass solo (1979) \u00a0\"A\"<\/a>
\nUA:<\/strong> September 1980, Utrecht
\nFernando Grillo
\n____________________________________________
\n<\/em><\/p>\n

Trio (…le fou) <\/strong>f\u00fcr Oboe, Alt-Saxophon in Es und Violoncello (1979) \u00a0\u00a0\"P\"<\/a><\/strong>
\n(Prix Marcel Josse 1979 der Assoziation Franz\u00f6sischer Saxophonisten)
\nUA:<\/strong> Mai 1981
\nMartina Barsch | Detlef Bensmann | Manuel Fischer-Dieskau
\n____________________________________________
\n<\/em><\/p>\n

Einladung zu einer Tasse Jasmintee<\/strong>\u00a0f\u00fcr Sopran und Klavier (1979) \u00a0\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> 1979
\nSopran: Miharu Dietz
\n____________________________________________<\/em><\/p>\n

Musik <\/strong>f\u00fcr vier Schlagzeuger und Klavier
\nUA:<\/strong> 2004, Berlin
\nPercussemble
\n____________________________________________
\n<\/em><\/p>\n

Bewegungen <\/strong>f\u00fcr 37 Streichinstrumente \u00a0\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> 1985, Berlin
\nBerliner Philharmonisches Orchester | Leitung.: Reinhard Peters
\n____________________________________________<\/em><\/p>\n

Musik in vier S\u00e4tzen <\/strong>f\u00fcr Fl\u00f6te allein
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. z\u00f6gernd \u00a0\u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. Prestissimo\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. sempre legato\u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0V. vivo \"P\"<\/a> \u00a0<\/em>
\nUA:<\/strong> Januar 1980, Berlin
\n(Verlag Neue Musik Berlin)
\nUlrich Zeller
\n____________________________________________
\n<\/em><\/p>\n

elf variationen \u00fcber das thema die post<\/strong> (nach Gedichten von Reiner Kunze) \u00a0\u00a0\"P\"<\/a><\/strong>
\nf\u00fcr Alt, Sprecher, Harfe, Celesta, Vibraphon und Metallschlagwerk<\/p>\n

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1977 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 elf variationen \u00fcber das thema >die post< (adapted from poems by Reiner Kunze)
\nfor alto, speaker, harp, celesta, vibraphone and percussion<\/p>\n

Music in Four Movements for flute solo
\n(published by Verlag Neue Musik Berlin)
\nPremiere: January 1980, Berlin, flute: Ulrich Zeller
\nbroadcast by SFB Berlin
\nCD: \u201eCry of Medusa\u201c kr 10053\/ LC 02555<\/p>\n

1978 Music for four percussionists and piano
\nPremiere: 2005, Berlin, Percussemble<\/p>\n

Bewegungen for 37 strings
\n(Forum junger deutscher Komponisten f\u00fcr Orchestermusik)
\nPremiere: 1985, Berlin, Berlin Philharmonic Orchestra, conductor: Reinhard Peters
\nbroadcast by WDR Cologne<\/p>\n

1979 Ballade for double-bass solo
\n(International Gaudeamus Music Week 1980)
\nPremiere: September 1980, Utrecht, double-bass: Fernando Grillo
\nbroadcast by Netherlands Radio<\/p>\n

Trio (…le fou) for oboe, alto-saxophone in E-flat and cello
\n(Prix Marcel Josse 1979 of the \u201eAssociation des saxophonistes fran\u00e7ais\u201c)
\nPremiere: May 1981, ob.: M. Barsch, sax.: D. Bensmann, cello: Manuel Fischer-Dieskau<\/p>\n

1980\/81 Deutsches Kyrie und Credo for 4 trumpets, 4 trombones, mixed choir and strings<\/p>\n

Tropus ad Gloria for 2 trumpets, tenor solo, mens-choir, piano and double-bass<\/p>\n

1981 Fahrt, three songs adapted from poems by Sarah Kirsch
\nfor soprano, cello, harp and percussion
\n(commissioned by \u201eStudio Neue Musik Berlin\u201c)
\nPremiere: October 1983, Berlin, soprano: Regine Gebhard<\/p>\n

1982 String Quartet \u2018adagio – allegro\u2018
\nPremiere: February 1988, Berlin, Silesian String Quartet<\/p>\n

1981\/83 Au\u00dfenposten (Outpost) for chamber orchestra
\nPremiere: June 1984, Berlin, Brandenburgisches Kammerorchester<\/p>\n

1983\/85 Galgenlieder adapted from Christian Morgenstern for soprano, alto-saxophone in E-flat (clarinet), bassoon (cello) and piano
\n(commissioned by \u201eDeutscher Apothekertag 1985\u201c)
\nPremiere: 1985, Berlin, soprano: Miharu Dietz
\nbroadcast by Netherlands Radio Hilversum<\/p>\n

1984\/86 Aus der Fremde, cantata adapted from poems by Franz Werfel
\nfor 4 solo singers, unaccompanied mixed choir and boys choir (ad lib.)<\/p>\n

1986 relations for horn and percussion
\n(commissioned by the \u201eDeutsches Schlagzeugsymposion N\u00fcrnberg 1986\u201c)
\nPremiere: October 1986, N\u00fcrnberg, horn: Wilfried Kr\u00fcger, percussion: Roland Schmidt
\nbroadcast by Bayerischer Rundfunk, N\u00fcrnberg<\/p>\n

1987 r\u00e9ciprocit\u00e9 for cello and double-bass
\nPremiere: October 1987, Paris, Duo Tedesco
\nbroadcast by Bayerischer Rundfunk<\/p>\n

\u201e…des lignes raides fuient dans la nuit\u201c for woodwind-quintet
\n(2nd prize \u201eBudapest International Composers Competition 1989\u201c)
\n(published by Editio Musica Budapest)
\nPremiere: March 1989, Budapest, Academy-Quintet
\nbroadcast by Hungarian Radio Budapest<\/p>\n

1987 Idyllen for viola and cello
\n(commissioned by \u201eGruppe Neue Musik Berlin\u201c)
\nPremiere: December 1987, W\u00fcrzburg, viola: Claude Lelong, cello: Wolfgang Gr\u00f6ger<\/p>\n

1988 dialogue for cello solo
\nPremiere: March 1988, Rio de Janeiro, cello: Peter Schuback<\/p>\n

1989 Concertino for alto-saxophone, piano, percussion and strings
\n(International Rostrum of Composers, Paris, 1991)
\nPremiere: October 1989, Berlin, saxophone: Ulrich Krieger, Universal-Ensemble
\nrecorded by RIAS Berlin and broadcast all over the world
\nCD: Universal-Ensemble Largo 5116, LC 8934<\/p>\n

1990 Klavierquintett 1990
\nPremiere: May 1991, Berlin, piano: Sheila Vonk<\/p>\n

Kammerkonzert for saxophone-quartet, two string quartets, double-bass and piano
\n(commissioned by Hebbel-Theater Berlin)
\nPremiere: December 1990, Brussels, \u201eHet Orkest\u201c, conductor: Vincent d\u2018Hondt
\nbroadcast by Belgium Radio Brussels<\/p>\n

1991 Oktett 522 91 – 16.1
\nPremiere: February 1992, Salzburg, Scharoun-Ensemble
\nbroadcast by SFB Berlin<\/p>\n

1992 obstacle 1087 for violin, alto-saxophone, bass-clarinet and piano
\n(commissioned by \u201eTage Neuer Kammermusik Braunschweig\u201c)
\n(published by Verlag Neue Musik Berlin)
\nPremiere: November 1992, Brunswick, violin: Irene Wilhelmi
\nCD: \u201eUnitedBerlin\u201c, Edel-Records, LC 01738<\/p>\n

vocalise for soprano (alto-saxophone), flute, cello and piano
\n(commissioned by \u201eBerlin Improvising Composers\u2018 Ensemble\u201c)
\nPremiere: October 1992, Berlin, BICE<\/p>\n

1993 URBAN MUSIC for amplified saxophone-quartet
\n(commissioned by Berliner Saxophon Quartett)
\nPremiere: October 1993, Berlin, BSQ
\nbroadcast by SFB Berlin<\/p>\n

Vision (URBAN MUSIC II) for bass-saxophone solo
\n(published by Verlag Neue Musik Berlin)
\nPremiere: February 1994, Paris, saxophone: Johannes Ernst<\/p>\n

1994 URBAN MUSIC III for rock band
\n(commissioned by Akademie der K\u00fcnste)
\nPremiere: April 1994, Berlin (X 94)<\/p>\n

1995 Inside Distortion for inside-piano
\nPremiere: June1996, Berlin, piano: Reinhold Friedl
\nCD: Brigitte Metzenthin, LUK 1121<\/p>\n

Magische Duette for two instruments\/voices and obligatory inside-piano
\n(Edition Nova Vita)
\nPremiere: March 1995, Marseilles<\/p>\n

Ein \u00e4gyptisches Marienleben for soprano, alto, tenor, bass and harpsichord
\n(commissioned by Podewil Berlin)
\nPremiere: 2004, Berlin, Hanna Dora Sturludottir, Sabine Neumann,
\nEloi Prat I Morgades, Jens Bauditz, harps.: Martin Schneuing<\/p>\n

Bewegungen II for orchestra
\n(commissioned by \u201eFreies Kammerochester Berlin\u201c)
\nPremiere: November 1995, Berlin, Freies Kammerorchester Berlin, cond.: Christoph Hagel<\/p>\n

1996 Klavierst\u00fccke RWV 1087
\nPremiere: October 1996, Berlin, piano: Elzbieta Sternlicht<\/p>\n

SUBURBAN CHANTS for flute, clarinet, violin, viola, cello ans piano
\n(commissioned by \u201eModern Art Sextet\u201c)
\nPremiere: November 1996, Schreyahn, Modern Art Sextet<\/p>\n

1997 Philippe\u2018s gone, duo for prepared guitar and violin
\nPremiere: October 1997, Berlin, violin: Matthias Leupold, guitar: Il-Ryun Chung<\/p>\n

1998 Brecht-Reflexionen adapted from texts by Hanns Eisler, Edmund Stoiber, Arnold Sch\u00f6nberg and Hanne Hiob
\nfor soprano, tenor, speaker and ensemble
\nPremiere: August 1998, N\u00fcrnberg, Ensemble Klangkonzepte<\/p>\n

1999 \u00dc = \u00d8 for alto-flute, cor anglais and harp
\nPremiere: June 1999, Berlin, Hanstedt-Trio<\/p>\n

Noces Danses for flute and piano
\nPremiere: September 1999, Berlin, flute: Klaus Sch\u00f6pp, piano: Yoriko Ikeya<\/p>\n

Sieben Gedichte von Renate Halbach f\u00fcr sich selbst begleitende S\u00e4ngerin
\n(for self-accompanying female singer)
\nPremiere: April 2001, Berlin, soprano: Stephanie Haas<\/p>\n

2000 Gegenwelten for orchestra
\n(commissioned by gVe Erlangen)
\nPremiere: January 2001, Erlangen<\/p>\n

Paris is burning for tenor-saxophone and live-electronics
\nPremiere: December 2001, Berlin, saxophone: Ulrich Krieger<\/p>\n

2002 \u00a0\u00a0\u00a0\u00a0\u00a0 …perch\u00e9 solo in una notte fonda brillano le stelle for harp
\nPremiere: May 2004, Rome, harp: Katharina Hanstedt<\/p>\n

Legno – campane for marimba
\nPremiere: December 2003, Kryptonale Berlin, Marimba: Claudia Sgarbi<\/p>\n

Contraerea celeste for 3 flutes
\nPremiere: November 2003, Aachen, Trio Soli Sono<\/p>\n

Albicoccodrillo for 12 saxophones
\nUA: April 2003, Berlin, Ensemble Sax12<\/p>\n

2003 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lange Kerls for chamber ensemble
\n(commissioned by Akademie der K\u00fcnste)
\nPremiere: February 2003, Kammerakademie Potsdam<\/p>\n

Schlacht Rufe for female voice and live-erlectronics
\n(commissioned by \u201cGlobus-Kl\u00e4nge\u201d)
\nPremiere: January 2004, Fu\u00dffall-Globus Frankfurt\/Main, Claudia Herr<\/p>\n

2004 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 deadline f\u00fcr alto-saxophone and piano
\nPremiere: 2005, saxophone: Frank Lunte, piano: Tatjana Blome
\nCD: EDA 29
\nSisyphos for saxophone quartet and string quartet
\nPremiere: October 2004, Pyramidale Berlin<\/p>\n

2005 …cette obscure clart\u00e9 qui tombe des \u00e9toiles (RWV 1088) for piano
\nPremiere: October 2005, piano: Elzbieta Sternlicht
\nW\u00fcste Fruchtbarkeit for cor anglais, horn, percussion, cello, double-bass and solo-violin
\n(commissioned by \u201cKlangwerkstatt\u201d)
\nPremiere: December 2005, Ensemble Junge Musik<\/p>\n

Cadenza \u2013 In Memoriam F.H. for violin solo
\n(commissioned by GEDOK Berlin)
\nPremiere: December 2005, Marianne Boettcher, violin<\/p>\n

2006 Heroische Bogenstriche for cello solo
\nUA: May 2006, Matias de Oliveira Pinto<\/p>\n

2006\/07 in progress:
\nKleist, Grand opera in 3 acts (Libretto: Tanja Langer)
\n(commissioned by Theater Brandenburg)
\nPremiere: October2007, Kleist-Forum Frankfurt\/Oder<\/p>\n

in progress:
\nDie zweite Duineser Elegie (adapted from Rainer Maria Rilke)
\nf\u00fcr pianoplaying singer and prepared piano<\/p>\n

in progress:
\nMusique pour d\u00e9courager les rossignols for recorder-trio<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0Text\u00a0\u00a0Audio \u00a0 Video \u00a0Score For better\u00a0search results\u00a0please press\u00a0ctrl..+ F , the entered word will appear highlighted ___________________________________________ \u00c9clat cuivre f\u00fcr Blechbl\u00e4serquintett [in Arbeit] (2015) (Auftrag der Pyramidale Berlin) UA:\u00a0Juli 2015, Berlin Ensemble Apparat ___________________________________________ Proclamazione f\u00fcr Violoncello und Orgel (2015) \u00a0 UA: August 2015, Rom Emilia Baranowska | Jean-Paul Imbert ___________________________________________ Essential\u00a0f\u00fcr Klavier 4-h\u00e4ndig\u00a0(2014) UA:\u00a02015, … Works – English<\/span> weiterlesen →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":71,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/rainer-rubbert.de\/wordpress\/wp-json\/wp\/v2\/pages\/73"}],"collection":[{"href":"https:\/\/rainer-rubbert.de\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rainer-rubbert.de\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rainer-rubbert.de\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rainer-rubbert.de\/wordpress\/wp-json\/wp\/v2\/comments?post=73"}],"version-history":[{"count":7,"href":"https:\/\/rainer-rubbert.de\/wordpress\/wp-json\/wp\/v2\/pages\/73\/revisions"}],"predecessor-version":[{"id":1251,"href":"https:\/\/rainer-rubbert.de\/wordpress\/wp-json\/wp\/v2\/pages\/73\/revisions\/1251"}],"up":[{"embeddable":true,"href":"https:\/\/rainer-rubbert.de\/wordpress\/wp-json\/wp\/v2\/pages\/71"}],"wp:attachment":[{"href":"https:\/\/rainer-rubbert.de\/wordpress\/wp-json\/wp\/v2\/media?parent=73"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}