{"id":71,"date":"2015-02-11T18:16:42","date_gmt":"2015-02-11T18:16:42","guid":{"rendered":"http:\/\/rainer-rubbert.de\/wordpress\/?page_id=71"},"modified":"2025-06-28T22:46:35","modified_gmt":"2025-06-28T22:46:35","slug":"werke","status":"publish","type":"page","link":"https:\/\/rainer-rubbert.de\/wordpress\/werke\/","title":{"rendered":"Werke – chronologisch \u2193"},"content":{"rendered":"

\"P\"<\/a> Partiturausschnitt |\u00a0\"T\"<\/a> Text
\n(Audio – \"A\"<\/a> und Videoaufnahmen \"V\"<\/a> ausgew\u00e4hlter Werke finden Sie unter\u00a0<\/em>Audio | Video<\/strong>)<\/p>\n

Bessere Suchergebnisse erzielen Sie – z.B. bei der Suche nach bestimmten
\nInstrumenten -wenn Sie auf der Seite Ihr\u00a0Suchwort\u00a0mit der
\nTastenkombiation <\/em>Strg.+ F <\/strong>eingeben,
\ndie Ergebnisse werden farbig unterlegt angezeigt.<\/em><\/p>\n


\nin Arbeit:<\/em>
\nDie Sch\u00fcsse von Paris<\/strong> (AT)
\nMusiktheater (Text: Tanja Langer)
\n_________________________________________<\/strong><\/p>\n

Autunno ad Ascoli<\/strong> f\u00fcr Fl\u00f6te, Klarinette, Violine, Violoncello und Klavier (2025)
\nUA:\u00a0<\/strong>Oktober 2025 Ascoli Piceno (IT)
\nKammerorchester Hannover \u2013 Solisten | Ltg.: Hans-Christian Euler<\/span>
\n<\/em><\/span>_________________________________________
\n<\/strong>
\nContaerea celeste <\/strong>Version f\u00fcr drei Klarinetten (2002\/2025)
\nUA: <\/strong>Oktober 2025 Berlin
\nTrio Infinitium<\/span>
\n<\/em><\/span>___________________________________________<\/em><\/p>\n

Klaviermusik „…in Zeiten des Kriegs“<\/strong>(2024\/25) f\u00fcr Klavier und fixed media
\nUA: <\/strong>Mai 2025 Berlin
\nYoriko Ikeya<\/em><\/span>
\n___________________________________________<\/em><\/p>\n

Sag nicht mit Sanftmut gute Nacht\u00a0<\/strong>(2023\/24) f\u00fcr Mezzosopran und Bariton
\n(Text: Tanja Langer, frei nach Dylan Thomas)
\nUA:\u00a0<\/strong>2024 Berlin
\nClaudia Herr | Carlo Schmitz<\/em><\/span>
\n___________________________________________<\/em><\/p>\n

L\/oops!<\/strong> (2023) f\u00fcr Saxophone und Loop station
\nUA:\u00a0<\/strong>2024 Berlin
\nAnnegret Tully<\/em><\/span>
\n___________________________________________
\n<\/em><\/p>\n

\ub3c4\uc804<\/strong> D<\/strong>ojeon \u2013 Enjeu <\/strong>(AT) (2022\/23) f\u00fcr f\u00fcr Daegeum, Koto, Janggu und Streichquartett
\nUA: <\/strong>Mai 2023, Berlin
\n<\/span>Asian Art Ensemble<\/span>
\n<\/em><\/span>___________________________________________<\/em><\/p>\n

R\u00e9cif<\/strong> (2022) f\u00fcr Klavier
\nUA:<\/strong> M\u00e4rz 2023, Bayreuth
\nLorenz Trottmann<\/span>
\n<\/em><\/span>___________________________________________<\/em><\/p>\n

D\u00e4mmerung<\/strong> f\u00fcr Ensemble (Cr., Perc., Pft., Vla., Vc., Kb)\u00a0 (2022) \"V\"<\/a><\/em>
\n(Auftrag der Staatsoper Unter den Linden)<\/em>
\nUA:<\/span><\/strong>\u00a0September 2022, Berlin<\/span>
\n<\/strong><\/span>ECHO-Ensemble | Ltg.: Manuel Nawri
\n<\/em><\/span>___________________________________________<\/em><\/p>\n

Des t\u00e9n\u00e8bres<\/strong> (2022) f\u00fcr Viola und Klavier
\nUA: <\/strong>April 2023, Berlin
\nMike Flemming | Martin Schneuing\u00a0<\/span><\/em>
\n___________________________________________<\/em><\/p>\n

Sziv\u00e1rv\u00e1ny – Regenbogen<\/strong> (2021\/22) f\u00fcr Cimbalom solo
\nUA:\u00a0<\/strong>2022, Berlin
\nEnik\u00f6 Ginzery<\/span><\/em>
\n___________________________________________<\/em><\/p>\n

Out of the Blue <\/strong>(2021) (Text: Tanja Langer) f\u00fcr Sopran und fixed media \"V\"<\/a><\/em>
\nUA: <\/strong>Mai 2022, Stuttgart
\n<\/strong>Viktoriia Vitrenko<\/span>
\n<\/em>___________________________________________<\/em><\/p>\n

Amorces<\/strong> (2020\/21) f\u00fcr Schlagzeug Trio \"A\"<\/a><\/em>
\n(Auftrag von musica aperta f\u00fcr das Colores Trio)
\n<\/em>UA: <\/strong>Mai 2021, Winterthur
\nColores Trio<\/em>
\n<\/span>___________________________________________<\/em><\/p>\n

mit Johannes X. Schachtner:
\nChac:one<\/strong> (2020) f\u00fcr Viola und Ensemble
\n___________________________________________<\/em>
\n<\/strong>
\n<\/em>Goldberg Echo <\/strong>(2020)
\nf\u00fcr Fl\u00f6te, Schlagzeug und Klavier
\n___________________________________________<\/em><\/p>\n

Brasages<\/strong> (2020) f\u00fcr Orchester
\n(Deutsche Vorauswahl f\u00fcr die Weltmusiktage Shanghai 2021)
\n<\/em>___________________________________________<\/em><\/p>\n

Aus Snowdens Zeit<\/strong> (2013\/20)
\nVersion f\u00fcr Akkordeon und Gitarre
\nUA:<\/strong> August 2020, Zepernick
\nDuo Mariamagdalena<\/em>
\n<\/span>___________________________________________<\/em><\/p>\n

Saudades I<\/strong>\u00a0(2019)
\nf\u00fcr Fl., Ob., Trp., Pos., Akk., Harfe, Vl., 2 Vle., Vc.
\nUA:<\/strong>\u00a0 2021, Magdeburg
\nEnsemble Junge Musik Sachsen-Anhalt<\/em><\/span>
\n___________________________________________<\/em><\/p>\n

depth<\/b> (2018\/19)
\nVersion f\u00fcr Kontrabassklarinette solo
\nUA: <\/b>2023
\nTheo Nabicht<\/span>
\n<\/em>___________________________________________<\/em><\/p>\n

Germaine Richier – Je suis la femme<\/strong> f\u00fcr Mezzosopran und Klavier\u00a0\"\"<\/a>
\n(Text: Tanja Langer)(2019)
\nUA:<\/strong> Juni 2019, Berlin
\nClaudia Herr | Martin Schneuing<\/span>
\n___________________________________________
\n<\/em><\/p>\n

L’Homme et la mer<\/strong> (2018)
\n(Text: Charles Baudelaire)
\nf\u00fcr Sopran, Bassklarinette und Akkordeon<\/p>\n

Baudelaire-Fragmente<\/strong> (2018)
\nf\u00fcr Klarinette\/Bassklarinette und Akkordeon
\nUA:<\/strong> Dezember 2018, Berlin
\nClaudia van Hasselt | Christine Pat\u00e9 | Matthias Badczong<\/span>
\n<\/em>___________________________________________<\/p>\n

Fanfare<\/strong> (2018)\u00a0\"\"<\/a>
\nf\u00fcr Blechbl\u00e4serquintett
\n___________________________________________<\/p>\n

restriction <fringeplay_3.0><\/strong> (2018)
\nMeditation f\u00fcr Klavier solo
\nUA: <\/strong>Juli 2018, Berlin
\n<\/strong>Martin Tchiba<\/span>
\n<\/em>______________________________________________
\n<\/strong><\/em><\/p>\n

depth<\/b> (2018)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 I.\u00a0<\/em> \u00a0\"\"
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II.<\/em><\/span>\u00a0\u00a0<\/a>\"\"<\/a>
\nper tuba sola
\nUA: <\/b>Juli 2018, Darmstadt
\nJack Adler-McKean<\/em><\/span>
\n______________________________________________<\/em><\/p>\n

Surging | Expanse \"\"<\/a><\/strong>
\nf\u00fcr Frauenchor und Harfe (2016\/17)
\nKompositionsstipendium des Berliner Senats 2016<\/em>
\nUA:<\/strong> Juli 2017, Berlin
\nBerliner Frauen-Vokalensemble (Ltg.: Lothar Knappe) Katharina Hanstedt<\/em><\/span>
\n_____________________________________________<\/p>\n

Ovartaci als Heizer im Frachtdampfer h\u00f6rt Stimmen<\/strong> (2016)\u00a0\u00a0\"\"<\/a> \u00a0\"\"<\/a>
\nf\u00fcr Bariton, Violoncello, Schlagzeug und Klavier
\nEr\u00f6ffnungsszene der Oper Ovartaci \u2013 crazy, queer and loveable<\/em> (Text: Tanja Langer)
\nUA:<\/strong> Januar 2017, Staatsoper Berlin
\nThorbj\u00f6rn Bj\u00f6rnsson | Ulrike Brand | Alexandros Giovanos | Martin Schneuing<\/em><\/span>
\n___________________________________________<\/p>\n

KonzertSt\u00fcck <\/strong>(2016) f\u00fcr Horn und Klavier \"\"<\/a>
\nUA:\u00a0<\/strong>Oktober 2017, N\u00fcrnberg
\nWilfried Kr\u00fcger | Gottfried R\u00fcll<\/em><\/span>
\n___________________________________________<\/p>\n

Paula Modersohn-Becker – Portrait im Regen, Lee\u00a0<\/strong>(2016)\u00a0\"\"<\/a>\u00a0 \"\"<\/a>
\nf\u00fcr Mezzosopran und Klavier
\n(Text: Tanja Langer)
\nUA: <\/strong>2018, Berlin
\nClaudia Herr | Martin Schneuing<\/em><\/span>
\n___________________________________________<\/p>\n

Wurfsendungen<\/strong>\u00a0(2015\/16)
\nZehn\u00a050-Sekundensongs |Text:\u00a0Thomas Pigor
\n(Auftrag von Deutschlandradio Kultur)
\nThomas Pigor<\/em><\/span>
\n___________________________________________<\/p>\n

Essential III\u00a0<\/strong>f\u00fcr zwei Klaviere\u00a0(2015)\u00a0\"P\"<\/a>\u00a0\u00a0\"V\"<\/a>
\n(komponiert f\u00fcr ATONALE II in der Staatsoper)
\nUA:<\/strong>\u00a0Dezember\u00a02015, Berlin
\nPianoduo Takahashi | Lehmann<\/em><\/span>
\n___________________________________________<\/p>\n

\u00c9clat cuivre <\/strong>f\u00fcr Blechbl\u00e4serquintett (2015)\u00a0\"P\"<\/a>
\n(Auftrag der Pyramidale Berlin)
\nUA:<\/strong>\u00a0Juli 2015, Berlin
\nEnsemble Apparat<\/span>
\n<\/em>___________________________________________<\/p>\n

Proclamazione <\/strong>f\u00fcr Violoncello und Orgel (2015) \u00a0\"\"<\/a>
\nUA:<\/strong> August 2015, Rom
\nEmilia Baranowska | Jean-Paul Imbert<\/span>
\n<\/em>___________________________________________<\/p>\n

Essential<\/strong>\u00a0f\u00fcr Klavier 4-h\u00e4ndig\u00a0(2014) \"\"
\n<\/a>\"image-0001<\/a>
\nUA:<\/strong>\u00a02015, Salerno<\/span>
\n<\/a><\/p>\n

____________________________________________<\/p>\n

Fra Snowdens tid<\/strong> f\u00fcr pr\u00e4parierte Gitarre (2014)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 I. \u00a0\u00a0\"\"
\n<\/a><\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. Lentissimo, senza tempo \u00a0\u00a0\"\"
\n<\/a><\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. Adagio, rubato \u00a0\u00a0\"\"
\n<\/a><\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0IV. Grave \u00a0\u00a0\"\"
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0V. Vivo \u00a0\u00a0\"\"<\/a><\/em>
\n<\/em>(Auftrag des Norsk kulturr\u00e5d)
\nUA:<\/strong> 2014, Oslo
\nOle Martin Huser-Olsen<\/span>
\n<\/em><\/em>____________________________________________<\/p>\n

Klaviertrio<\/strong> 2013 f\u00fcr Violine, Violoncello und Klavier\u00a0\"T\"<\/a>\u00a0\u00a0\"\"<\/a>
\n(Auftrag des Berlin-Trios)
\n\"Klaviertrio\"<\/a>
\nUA:<\/strong> M\u00e4rz 2014, Berlin
\nChristiane Edinger | Llu\u00eds Claret | Klaus Hellwig<\/span>
\n<\/em>____________________________________________<\/p>\n

Das 1. Gebot<\/strong> f\u00fcr Tenor, Bariton, Violoncello und Orgel (2013) \u00a0\"T\"
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. Ich bin der Herr, dein Gott!<\/em> \u00a0\"\"
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. Denn so ist es Satzung…<\/em> \u00a0\u00a0\"\"<\/a>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. Aber mein Volk hat nicht auf meine Stimme geh\u00f6rt\u00a0 \u00a0<\/em>\"\"<\/a>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0IV. In der Drangsal…<\/em> \u00a0<\/em>\u00a0\"\"<\/a>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0V. Und Du sollst deinen Herrn….<\/em>\u00a0\u00a0\"\"<\/a>
\n(Auftrag der Guardini-Stiftung)
\nUA:<\/strong> April 2013, Berlin
\nThaisen Rusch | Philipp Mayer | Marika Gerjot | Lothar Knappe<\/span>
\n____________________________________________
\n<\/em><\/p>\n

Quatro can\u00e7\u00f5es baseadas em poemas de Fernando Pessoa<\/strong>
\nf\u00fcr Solo-Sopran [mit Megaphon, Conga und Triangel] (2013) \u00a0\u00a0\"T\"
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. O que chora \u00a0\u00a0\"\"<\/a>
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. \u00daltima estrela a desaparecer \u00a0\u00a0\"\"<\/a>
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. Creio\u00a0\u00a0<\/span>\u00a0\"P\"<\/a>
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0IV. Quer pouco\u00a0 \u00a0\"P\"<\/a>\u00a0\u00a0<\/span><\/em>
\n<\/a>UA:<\/strong> September 2013, S\u00e3o Paulo, Brasilien
\n<\/span>Katia Guedes<\/span>
\n____________________________________________<\/em><\/p>\n

Choralbearbeitung „Ich steh an deiner Krippen hier“<\/strong> f\u00fcr Orgel (2013) \u00a0\"\"<\/a>
\nUA:<\/strong> Dezember 2013, Berlin
\nLothar Knappe<\/span>
\n____________________________________________<\/em>\u00a0<\/em><\/p>\n

Bei Aldi brennt noch Licht<\/strong> f\u00fcr drei M\u00e4nnerstimmen [mit Megaphonen] (2012) \u00a0\"\"<\/a>
\nUA:<\/strong> September 2012, Pyramidale XI, Berlin
\n<\/span>Thorbj\u00f6rn Bj\u00f6rnsson | Philipp Mayer | Daniel Pannermeyr<\/span>
\n____________________________________________<\/em>\u00a0<\/span><\/em><\/p>\n

Musique pour d\u00e9courager les rossignols<\/strong> f\u00fcr singende Altblockfl\u00f6tistin (2012) \u00a0\"\"
\n<\/a>(1. Preis beim Internationalen Kompositionswettbewerb „marenostrum“,<\/em>
\nPremio Citt\u00e0 di Fossacesia 2012, Edizioni Scofinarte)<\/em>
\nUA:<\/strong> September 2012, Fossacesia
\nGaby Bultmann<\/span>
\n____________________________________________<\/em>
\n<\/em><\/p>\n

Essentials <\/strong>f\u00fcr 2 Akkordeons (2012) \u00a0\"T\"
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. rubato <\/em>\u00a0\"P\"<\/a>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. feroce\u00a0\u00a0\"P\"
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. lento\u00a0 \u00a0<\/em>\"P\"<\/em>
\n<\/a>UA:<\/strong> Juli 2012, XX. RANDSPIELE Zepernick
\nChristine Pat\u00e9 | Franka Herwig<\/span>
\n____________________________________________<\/em><\/em><\/p>\n

Toccata <\/strong>f\u00fcr Fl\u00f6te solo (2011\/12) \u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> Juni 2012, Berlin
\nCarin Levine<\/span>
\n____________________________________________<\/em><\/em><\/p>\n

Shortcuts <\/strong>f\u00fcr Harfe solo (2011)\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> Juni 2012, Berlin
\nKatharina Hanstedt<\/span>
\n____________________________________________<\/em>
\n<\/em><\/p>\n

Shortcuts II <\/strong>zu Songs der Popette Betancor (2011)
\nf\u00fcr 2 Violinen
\nMatthias Leupold<\/span>
\n____________________________________________<\/em>
\n<\/em><\/p>\n

Shortcuts III <\/strong>f\u00fcr Heinrich und Henriette
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. Warum denke ich daran? \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. Was willst du noch!? \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. Was macht er denn da? \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0IV. Wie grausam… \u00a0\"P\"<\/a><\/em>
\nText: Tanja Langer
\nf\u00fcr Mezzosopran,Bariton und Klavier
\nUA:<\/strong> Mai 2011, Villa Elisabeth, Berlin
\nGesa Hoppe | Thorbj\u00f6rn Bj\u00f6rnsson | Martin Schneuing<\/span>
\n____________________________________________<\/em>
\n<\/em><\/p>\n

Je ne vais pas te dire… <\/strong>f\u00fcr Bass und Klavier \u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> Februar 2014, Berlin
\nLudwig Obst | Martin Schneuing<\/span>
\n____________________________________________<\/em>
\n<\/em><\/p>\n

Hilfe Rufe f\u00fcr Sopran<\/strong>\u00a0[mit Megaphon], Schlagzeug und Kontrabass (2010\/11)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. chinesisch\u00a0 \"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. t\u00fcrkisch\u00a0\"P\"
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. englisch\u00a0<\/em>\u00a0\"P\"
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0IV. peul\/wolof \u00a0\u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0V. deutsch \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0VI. franz\u00f6sisch\u00a0\"P\"<\/a><\/em>
\nUA:<\/strong> Oktober 2011, Pyramidale X
\nKatia Guedes | Sabrina Ma | Matthias Bauer<\/span>
\n____________________________________________<\/em><\/em><\/p>\n

Trois Adieux III <\/strong>f\u00fcr 2 Klaviere und 2 Schlagzeuger (2010) \u00a0\u00a0\"P\"<\/a><\/strong>
\n(Auftrag des Ensemble BerlinPercussion)
\nUA:<\/strong> Mai 2010, Berlin
\nEnsemble BerlinPercussion<\/span>
\n____________________________________________<\/em><\/em><\/p>\n

La Pri\u00e8re sur l\u2019Enfant mort<\/strong> f\u00fcr Violoncello und Streichquartett (2009) \u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> Juni 2009, Berlin
\nEmilia Baranovska | HORS Quartett<\/span>
\n____________________________________________<\/em>
\n<\/em><\/p>\n

Niki de Saint Phalle \u2013 F\u00fcrchterlich ist die Braut am Abend \u00a0\"T\"<\/a>\u00a0\u00a0\"P\"<\/a><\/strong>
\nf\u00fcr Mezzosopran und Klavier (2009)
\n(Text: Tanja Langer)
\nUA:<\/strong> 2010, Berlin
\nVerlag Ries & Erler
\nClaudia Herr | Martin Schneuing<\/span><\/em>
\n____________________________________________<\/em><\/em><\/p>\n

Frida Kahlo \u2013 Liebeslied an das Leben
\n<\/strong>f\u00fcr Mezzosopran\/Alt und Klavier (2009)\u00a0\"T\"<\/a>\u00a0\u00a0\"P\"<\/a><\/strong>
\n(Text: Tanja Langer)
\nUA:<\/strong> 2009, Berlin
\nVerlag Ries & Erler
\nClaudia Herr | Martin Schneuing<\/span><\/em>
\n____________________________________________<\/em><\/em><\/p>\n

…perch\u00e9 solo in una notte fonda brillano le stelle <\/strong>
\n<\/strong>Version f\u00fcr Harfe und Klavier\u00a0(2002\/2009) \u00a0\"P\"<\/a>
\nUA:<\/strong> Mai 2010, Brandenburg\/Havel
\nKatharina Hanstedt | El\u017cbieta Sternlicht<\/span>
\n____________________________________________<\/em><\/em><\/p>\n

Camille Claudel \u2013 Einst war ich sch\u00f6n
\n<\/strong>Szene f\u00fcr Mezzosopran und Klavier (2008) \u00a0\"T\"<\/a>\u00a0\u00a0\"P\"<\/a><\/strong>
\n(Text: Tanja Langer)
\nUA:<\/strong> Nov. 2008, Berlin
\nVerlag Ries & Erler<\/em>
\nClaudia Herr | Liana Narubina<\/em><\/span>
\n____________________________________________<\/em><\/em><\/p>\n

Extraits \u00a0<\/strong>(2008)
\n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/i>I. Toccata<\/strong> f\u00fcr Klarinette solo \u00a0\u00a0<\/em>\"P\"<\/a>\u00a0 \u00a0<\/strong>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/em>II. Elegie<\/strong> f\u00fcr Horn solo \u00a0\"P\"
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em>III. Capriccio <\/strong>f\u00fcr Fagott solo \u00a0<\/em>\"P\"
\n<\/em><\/a>\"image-0003\"<\/a> \"image-0002\"<\/a> \"image-0001\"<\/a><\/em>
\nUA:<\/strong> Dezember 2008, N\u00fcrnberg
\nKlangKonzepteEnsemble<\/span>
\n<\/em>____________________________________________<\/em><\/em>
\n<\/span><\/p>\n

relations<\/strong> (1986\/2008)
\nf\u00fcr Posaune und Schlagzeug
\n<\/span>UA:<\/strong> M\u00e4rz 2009, Berlin
\n<\/span>Florian Juncker<\/span>
\n____________________________________________<\/em><\/em><\/span><\/p>\n

Kleist \u00a0Oper<\/strong> in 4 Akten (2006\/07)\u00a0\u00a0\"T\"<\/a><\/strong>
\nLibretto: Tanja Langer
\nDetails siehe\u00a0 \u2192 Oper<\/a><\/strong>
\n(Auftrag des Brandenburger Theaters)
\nUA:<\/strong> M\u00e4rz 2008, Brandenburger Theater
\nVerlag Ries & Erler
\n____________________________________________<\/em><\/em><\/p>\n

Solo und Signal <\/strong>f\u00fcr Horn, Klavier und Schlagzeug (2005)
\nUA:<\/strong> Juni 2005, Berlin
\nNoam Yogev | Arno Waschk | Percussemble Berlin<\/span>
\n____________________________________________<\/em>
\n<\/em><\/p>\n

…cette obscure clart\u00e9 qui tombe des \u00e9toiles (RWV 1088) <\/strong>f\u00fcr Klavier (2005) \u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> Okt. 2005
\nEl\u017cbieta Sternlicht<\/span>
\n____________________________________________<\/em><\/em><\/p>\n

W\u00fcste Fruchtbarkeit<\/strong> f\u00fcr Englisch Horn, Horn, Schlagzeug, Violoncello,
\nKontrabass, Klavier\u00a0und Solo-Violine (2005)\u00a0\u00a0\"P\"<\/a>
\n(Auftrag der Klangwerkstatt Berlin)
\nUA:<\/strong> Nov. 2005
\n<\/span>Ensemble Junge Musik | Solo-Violine: Susanne Zapf<\/span>
\n____________________________________________<\/em>
\n<\/span><\/em><\/p>\n

Cadenza \u2013 In Memoriam F.H.<\/strong> f\u00fcr Violine solo (2005)\u00a0\"P\"<\/a>\u00a0\u00a0\"T\"<\/a>\u00a0 \u00a0<\/strong>
\n(Auftrag der GEDOK Berlin)
\nUA:<\/strong> Dez. 2005
\nMarianne Boettcher<\/span>
\n____________________________________________<\/em><\/span><\/em><\/p>\n

deadline <\/strong>f\u00fcr Alt-Saxophon in Es und Klavier (2004)\u00a0\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> 2005, Reutlingen
\nFrank Lunte | Tatjana Blome<\/span>
\n____________________________________________<\/em><\/span>
\n<\/em><\/p>\n

Sisyphos<\/strong> f\u00fcr Saxophonquartett und Streichquartett (2004)\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> Okt. 2004, Pyramidale Berlin
\nSaxophonquartett clair – obscur<\/span>
\n____________________________________________<\/em><\/span><\/em><\/p>\n

Lange Kerls <\/strong>f\u00fcr Kammerensemble (2003) \u00a0\u00a0\"P\"<\/a><\/strong>
\n(Auftrag der Akademie der K\u00fcnste)
\nUA:<\/strong> Februar 2003
\nKammerakademie Potsdam<\/span>
\n____________________________________________<\/em><\/span>
\n<\/em><\/p>\n

Schlacht Rufe <\/strong>f\u00fcr Frauenstimme (Sopran) und Live-Elektronik (2003) \u00a0\"P\"<\/a><\/strong>
\n(Auftrag der Globus-Kl\u00e4nge)
\nUA:<\/strong> Jan. 2004, Fu\u00dffall-Globus Frankfurt\/Main
\nClaudia Herr<\/span>
\n____________________________________________<\/em><\/span><\/em><\/p>\n

…perch\u00e9 solo in una notte fonda brillano le stelle <\/strong>f\u00fcr Harfe solo (2002) \u00a0\"T\"<\/a>\u00a0\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> Mai 2004, Rom
\nKatharina Hanstedt<\/span>
\n____________________________________________<\/em><\/span>
\n<\/em><\/p>\n

Legno – campane <\/strong>f\u00fcr Marimba solo (mit Glocke) (2002)\u00a0\"T\"<\/a>\u00a0\u00a0\"P\"<\/a>\u00a0<\/strong>
\nUA:<\/strong> Dez. 2003, Kryptonale Berlin
\nClaudia Sgarbi<\/span>
\n____________________________________________<\/em><\/span>
\n<\/em>
\nContraerea celeste<\/strong> f\u00fcr drei Fl\u00f6ten (2002)\u00a0\u00a0\"T\"<\/a>\u00a0\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> Nov. 2003, Aachen
\nTrio Soli Sono<\/span>
\n____________________________________________<\/em><\/span>
\n<\/em><\/p>\n

Albicoccodrillo <\/strong>f\u00fcr zw\u00f6lf Saxophone \u00a0\"T\"<\/a>\u00a0\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> April 2003, Berlin
\nEnsemble Sax12<\/span>
\n____________________________________________<\/em><\/span><\/em><\/p>\n

Gegenwelten<\/strong> f\u00fcr gro\u00dfes Orchester (2000)\u00a0 \"P\"<\/a>
\n(Auftrag des gVe Erlangen)
\nUA:<\/strong> Januar 2001, Erlangen
\nErlanger Kammerorchester<\/span>
\n____________________________________________<\/em><\/span>
\n<\/em><\/p>\n

Paris is burning<\/strong> f\u00fcr Tenorsaxophon und Live-Elektronik (2000)\u00a0\"P\"<\/a>
\nUA:<\/strong> Dezember 2001, Berlin
\nUlrich Krieger<\/span>
\n____________________________________________<\/em><\/span><\/em><\/p>\n

Noces Danses<\/strong> f\u00fcr Fl\u00f6te und Klavier (1999) \"A\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. emotionslos | Altfl\u00f6te \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. manisch | Piccolo\u00a0 \"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. unterk\u00fchlt, sehr ruhig | Bassfl\u00f6te\u00a0 \"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0IV. zusammen | gro\u00dfe Fl\u00f6te \u00a0\"P\"<\/a><\/em>
\nUA:<\/strong> September 1999, Berlin
\nKlaus Sch\u00f6pp, | Yoriko Ikeya<\/span>
\n____________________________________________<\/em><\/span>
\n<\/em><\/p>\n

Sieben Gedichte von Renate Halbach
\n<\/strong>f\u00fcr sich selbst begleitende S\u00e4ngerin [Sopran] (1999)\u00a0\"T\"<\/a><\/strong>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 I. Jeden Morgen \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 II. Wiederkehr\u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 III. Schiffsb\u00e4uche \u00a0\"P\"<\/a> \u00a0<\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 IV. Gleitflug\u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 V. Nichts h\u00f6rt auf \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 VI. Asche, Asche \u00a0\"P\"<\/a> \u00a0<\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 VII. Wie Schnee \u00a0\"P\"<\/a>\u00a0<\/em>
\nUA:<\/strong> April 2001, Berlin
\nStephanie Haas<\/span>
\n____________________________________________<\/em><\/span><\/em><\/p>\n

\u00dc = \u00d8 <\/strong>f\u00fcr Altfl\u00f6te, Englisch Horn (Horn) und Harfe (1998)\u00a0\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> Juni 1999, Berlin
\nHanstedt-Trio<\/span>
\n____________________________________________<\/em><\/span><\/em><\/p>\n

Philippe\u2019s gone,<\/strong> Duo f\u00fcr pr\u00e4parierte Gitarre und Violine (1997) \"P\"<\/a>
\nUA:<\/strong> Oktober 1997, Berlin
\nMatthias Leupold | Il-Ryun Chung<\/span>
\n____________________________________________<\/em><\/span><\/em><\/p>\n

Klavierst\u00fccke RWV 1087<\/strong>\u00a0(1996)\u00a0\"T\"<\/a><\/strong>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. calmo, liberamente \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. Lento \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. \u00a0\"P\"<\/a><\/em>
\nUA: 1996, Berlin
\nEl\u017cbieta Sternlich<\/span>t
\n____________________________________________<\/em><\/span>
\n<\/em>
\nSUBURBAN CHANTS
\n<\/strong>f\u00fcr Fl\u00f6te, Klarinette, Violine, Viola, Violoncello und Klavier(1996)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. Tagst\u00fcck \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. Nachtst\u00fcck \u00a0\u00a0\"P\"<\/a><\/em>
\n(Auftrag des \u201cModern Art Sextet\u201c)\u00b4
\nUA:<\/strong> November 1996, Schreyahn
\nModern Art Sextet<\/span>
\n____________________________________________<\/em><\/span><\/em><\/p>\n

Magische Duette<\/strong> f\u00fcr zwei Instrumente\/Stimmen und obligates Klavier (1995) \u00a0\"T\"<\/a><\/strong>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. Alla breve \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. Adagio \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. Largo, con tristezza \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0IV. Isterico \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0V. Molto lento \u00a0<\/em>\"P\"<\/em>
\n<\/a>(Edition Nova Vita)
\nUA:<\/strong> M\u00e4rz 1995, Marseille
\nVioline: Mary Oliver | Saxophon: Ulrich Krieger | Klavier:Reinhold Friedl<\/span>
\n____________________________________________<\/em><\/span>
\n<\/em><\/p>\n

Ein \u00e4gyptisches Marienleben<\/strong> f\u00fcr Sopran, Alt, Tenor, Bass und Cembalo (1995) \u00a0\"P\"<\/a><\/strong>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 I. Mariae Vorleben\u00a0<\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 II. Mariae Klage<\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 III. Mariae Tod und<\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 IV. Mariae Verkl\u00e4rung<\/em>
\n<\/span>(Auftrag des Podewil Berlin)
\nUA:<\/strong> Oktober 2004, Berlin
\n<\/span>Hanna Dora Sturludottir | Sabine Neumann | Eloi Prat I Morgades | Jens Bauditz |Martin Schneuing<\/span>
\n____________________________________________<\/em>
\n<\/span><\/em><\/p>\n

Bewegungen II <\/strong>f\u00fcr Orchester (1995)\u00a0\u00a0\"P\"<\/a><\/strong>
\n(Auftrag des Freien Kammerochesters Berlin)
\nUA: <\/strong>November 1995, Berlin
\nFreies Kammerorchester Berlin | Leitung.: Christoph Hagel<\/span>
\n____________________________________________<\/em><\/span><\/em><\/p>\n

Inside Distortion <\/strong>f\u00fcr Inside-Piano (1995) \u00a0\"P\"<\/a>\u00a0<\/strong>
\nUA:<\/strong> 1996, Berlin
\nReinhold Friedl<\/span>
\n____________________________________________<\/em><\/span>
\n<\/em><\/p>\n

URBAN MUSIC III <\/strong>f\u00fcr Rockband (1994) \u00a0\u00a0\u00a0\"P\"<\/a><\/strong>
\n(Auftrag der Akademie der K\u00fcnste)
\nUA:<\/strong> April 1994, Berlin (X 94)
\n____________________________________________<\/em><\/span><\/em><\/p>\n

URBAN MUSIC<\/strong> f\u00fcr verst\u00e4rktes Saxophonquartett (1993) \u00a0\"T\"<\/a>\u00a0\u00a0\"P\"<\/a>
\n(Auftrag des Berliner Saxophon Quartetts)
\nUA:<\/strong> Oktober 1993, Berlin
\nBSQ<\/span>
\n____________________________________________<\/em><\/span>
\n<\/em><\/p>\n

Vision (Urban Music II) <\/strong>f\u00fcr Bass-Saxophon solo (1993) \u00a0\u00a0\"P\"<\/a><\/strong>
\n(Verlag Neue Musik Berlin)
\nUA:<\/strong> Februar 1994, Paris
\nJohannes Ernst<\/span>
\n____________________________________________<\/em><\/span><\/em><\/p>\n

obstacle 1087 <\/strong>f\u00fcr Violine, Alt-Saxophon in Es, Ba\u00dfklarinette und Klavier (1992) \u00a0\u00a0\"P\"<\/a><\/strong>
\n(Auftrag der \u201cTage Neuer Kammermusik Braunschweig“)
\nUA:<\/strong> November 1992, Braunschweig
\nVioline: Irene Wilhelmi<\/span>
\n____________________________________________<\/em><\/span>
\n<\/em><\/p>\n

vocalise <\/strong>f\u00fcr Sopran (Alt-Saxophon in Es), Fl\u00f6te, Violoncello und Klavier (1992) \u00a0\u00a0\"P\"<\/a><\/strong>
\n(Auftrag des Berlin Improvising Composers Ensemble)
\nUA:<\/strong> Oktober 1992, Berlin
\nBICE<\/span>
\n____________________________________________<\/em><\/span><\/em><\/p>\n

Oktett 522 91 – 16.1<\/strong> f\u00fcr Klarinette, Horn, Fagott und Streichquintett (1991)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. Toccata \u00a0<\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. Elegie<\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. Capriccio<\/em>
\nUA:<\/strong> Februar 1992, Salzburg
\nScharoun-Ensemble<\/span>
\n____________________________________________<\/em><\/span><\/em><\/p>\n

Klavierquintett 1990<\/strong>\u00a0 \"P\"<\/a>
\nUA:<\/strong> Mai 1991, Berlin
\nUniversal Streichquartett | Sheila Vonk<\/span>
\n____________________________________________
\n<\/em><\/p>\n

Kammerkonzert<\/strong>
\nf\u00fcr Saxophonquartett, zwei Streichquartette, Kontrabass und Klavier (1990) \u00a0\"P\"<\/a>
\n(Auftrag des Hebbel-Theaters Berlin)
\nUA:<\/strong> Dezember 1990, Br\u00fcssel
\nHet Orkest | Leitung: Vincent d\u2019Hondt<\/span>
\n____________________________________________<\/em><\/p>\n

Concertino<\/strong> f\u00fcr Alt-Saxophon in Es, Klavier, Streicher und Schlagzeug \u00a0\u00a0<\/strong>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I.\u00a0Introduzione, calmo \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. Allegro \u00a0\u00a0\"P\"<\/a><\/em>
\n(International Rostrum of Composers, Paris, 1991)
\nUA:<\/strong> Oktober 1989, Berlin
\nSaxophon: Ulrich Krieger | Universal-Ensemble<\/span>
\n____________________________________________<\/em><\/p>\n

dialogue <\/strong>f\u00fcr Violoncello solo (1988)\u00a0\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> M\u00e4rz 1988, Rio de Janeiro
\nPeter Schuback<\/span>
\n____________________________________________<\/em><\/p>\n

r\u00e9ciprocit\u00e9<\/strong> f\u00fcr Violoncello und Kontrabass (1987)\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> Oktober 1987, Paris
\nDuo Tedesco<\/span>
\n____________________________________________
\n<\/em><\/p>\n

..des lignes raides fuient dans la nuit<\/strong> f\u00fcr Bl\u00e4serquintett (1987)\u00a0\"P\"<\/a>
\n(2. Preis \u201cBudapest International Composers Competition 1989)
\n(Editio Musica Budapest)
\nUA:<\/strong> M\u00e4rz 1989, Budapest
\nAkademie-Quintett<\/span>
\n____________________________________________
\n<\/em><\/p>\n

Idyllen <\/strong>f\u00fcr Viola (Violine) und Violoncello \u00a0(1987)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 I. Calmo \u00a0\u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 II. Inquieto \u00a0\u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 III. Adagio espressivo \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 IV. Aggressivo \u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 V. Molto lento \u00a0\"P\"<\/a><\/em>
\n(Auftrag der Gruppe Neue Musik Berlin)
\nUA:<\/strong> Dezember 1987, W\u00fcrzburg,
\nClaude Lelong | Wolfgang Gr\u00f6ger<\/span>
\n____________________________________________<\/em><\/p>\n

relations <\/strong>f\u00fcr Horn und Schlagzeug (1986)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 I. Feroce\u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 II. Calmo<\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 III.<\/em>
\n(Auftrag des Deutschen Schlagzeugsymposions N\u00fcrnberg 1986)
\nUA:<\/strong> Oktober 1986, N\u00fcrnberg
\nWilfried Kr\u00fcger | Roland Schmidt<\/span>
\n____________________________________________<\/em><\/p>\n

Aus der Fremde<\/strong>, Kantate nach Gedichten von Franz Werfel (1984\/86)\u00a0\u00a0\"T\"<\/a><\/strong>
\nf\u00fcr 4 Solostimmen, 4-9-stimmigen gem. Chor a cappella und Knabenchor (ad lib.) \u00a0\"P\"<\/a>
\n(Hauptpreis beim Internationalen Carl-von-Ossietzky-Kompositionswettbewerb Oldenburg 2007)
\n____________________________________________<\/em><\/p>\n

Galgenlieder <\/strong>nach Christian Morgenstern
\nf\u00fcr Sopran, Altsaxophon in Es (Klarinette), Fagott (Violoncello) und Klavier\u00a0(1983\/85)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a01. Gruselett<\/em> \u00a0\u00a0\"P\"<\/a><\/strong>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a02. Die Fingur \u00a0<\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a03. Das Mondschaf\u00a0<\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a04. Nein!<\/em>
\n(Auftrag des Deutschen Apothekertages 1985)
\nUA:<\/strong> 1985, Berlin
\nSopran: Miharu Dietz<\/span>
\n____________________________________________<\/em><\/p>\n

Au\u00dfenposten<\/strong>, (Film-) Musik f\u00fcr Kammerorchester (1981\/83)\u00a0siehe auch -> Film<\/a><\/strong>
\nUA:<\/strong> Juni 1984, Berlin
\n(Verlag Ries & Erler)<\/em>
\nBrandenburgisches Kammerorchester<\/span>
\n____________________________________________<\/em><\/p>\n

Streichquartett adagio \u2013 allegro<\/strong>\u00a0(1982)\u00a0\"P\"<\/a>\u00a0<\/strong>
\nUA:<\/strong>\u00a0September 2015, Le Thoureil
\nQuatuor Girard<\/span>
\n____________________________________________<\/em><\/p>\n

Fahrt,<\/strong> drei Lieder nach Gedichten von Sarah Kirsch
\nf\u00fcr Sopran, Violoncello, Harfe, Klavier und Schlagzeug (1981)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a01. Fahrt I \u00a0\u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a02. Der Schnee liegt schwarz in meiner Stadt<\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 3. Dann werden wir kein Feuer brauchen<\/em>
\n(Auftrag des Studio Neue Musik Berlin)
\nUA:<\/strong> Oktober 1983, Berlin
\nSopran: Regine Gebhard<\/span>
\n____________________________________________<\/em><\/p>\n

Deutsches Kyrie und Credo<\/strong>
\nf\u00fcr 4 Trompeten, 4 Posaunen, gemischten Chor und Streicher (1980\/81)
\n____________________________________________<\/em><\/p>\n

Tropus ad Gloria<\/strong>
\nf\u00fcr 2 Trompeten, Tenor solo, M\u00e4nnerchor, Klavier und Kontrabass\u00a0(1980\/81)\u00a0\u00a0\"P\"<\/a><\/strong>
\n____________________________________________<\/em><\/p>\n

Ballade<\/strong> f\u00fcr Kontrabass solo (1979)\u00a0 \"P\"<\/a>
\nUA:<\/strong> September 1980, Utrecht
\nFernando Grillo<\/span>
\n____________________________________________
\n<\/em><\/p>\n

Trio (…le fou) <\/strong>f\u00fcr Oboe, Alt-Saxophon in Es und Violoncello (1979) \u00a0\u00a0\"P\"<\/a><\/strong>
\n(Prix Marcel Josse 1979 der Assoziation Franz\u00f6sischer Saxophonisten)
\nUA:<\/strong> Mai 1981
\nMartina Barsch | Detlef Bensmann | Manuel Fischer-Dieskau<\/span>
\n____________________________________________
\n<\/em><\/p>\n

Einladung zu einer Tasse Jasmintee<\/strong>\u00a0f\u00fcr Sopran und Klavier (1979) \u00a0\u00a0\"P\"<\/a><\/strong>
\nUA:<\/strong> 1979
\nSopran: Miharu Dietz<\/span>
\n____________________________________________<\/em><\/p>\n

Musik <\/strong>f\u00fcr vier Schlagzeuger und Klavier (1978)
\nUA:<\/strong> 2004, Berlin
\nPercussemble<\/span>
\n____________________________________________
\n<\/em><\/p>\n

Bewegungen <\/strong>f\u00fcr 37 Streichinstrumente (1978)\u00a0\u00a0 \"P\"<\/a>\u00a0 <\/strong>
\nUA:<\/strong> 1985, Berlin
\nBerliner Philharmonisches Orchester | Leitung.: Reinhard Peters<\/span>
\n____________________________________________<\/em><\/p>\n

Musik in vier S\u00e4tzen <\/strong>f\u00fcr Fl\u00f6te allein (1977)
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I. z\u00f6gernd \u00a0\u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0II. Prestissimo\u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0III. sempre legato\u00a0\"P\"<\/a><\/em>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0V. vivo \"P\"<\/a> \u00a0<\/em>
\nUA:<\/strong> Januar 1980, Berlin
\n(Verlag Neue Musik Berlin)
\nUlrich Zeller<\/span>
\n____________________________________________
\n<\/em><\/p>\n

elf variationen \u00fcber das thema die post<\/strong>\u00a0[nach Gedichten von Reiner Kunze] (1977)\u00a0 \u00a0\"P\"<\/a><\/strong>
\nf\u00fcr Alt, Sprecher, Harfe, Celesta, Vibraphon und Metallschlagwerk<\/p>\n

 <\/p>\n

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